We depend on this group to help us understand the spirit of the place, its history, current challenges and hopes for the future. We also need the design team to help generate, either by making or finding, the sources of imagery that will eventually give life to the mural. To do this we begin simply by getting to know each other a little better. At the beginning of each meeting we sit in a circle, reintroduce ourselves, and then respond to a go-around question like, What's your favorite movie? Where's the best place to eat in town? What do you want to be when you grow up? or What's your nickname? The ice gets broken and we can dive into mural land.
The main focus of our design team workshops is to address questions that will help illuminate the shape and scope of our mural design. In Sioux Falls we first asked ourselves,
What do we know about Whittier?
Next we asked, What is the purpose of this project? What is its subject? Who are its authors? and Who will be its audiences?
Our answers were the fuel for collaborative drawing workshops where we tried to work out the relationships and relative significance of Whittier's culture and heritage. At one point I wanted the group to focus more on the continuing story of immigration and how it's impacted the area, so I asked an intentionally provoctive question - Who's family at one time immigrated to the U.S.? After a pause, all the hands went up except one, the artist Jerry Fogg. He is Yankton Sioux. From this, we launched into a discussion and then drawing session revolving around cultural diversity. At other times the prompts for drawing workshops included:
What makes a neighborhood?
Imagine Meldrum Park if it could be the way you wanted.
What are the challenges, obstacles, and misperceptions that the neighborhood faces, and how can they be addressed?
At the end of the session, each group stands up and presents their work. We do this not in order to critique the merits of style or drawing proficiency, but to teach each other about what we came up with and what we struggled with. The idea is to share our work and build off of each other, not compete. Two and a half weeks (and twenty-six meetings) later, we had amassed hundreds of drawings and written descriptions for the mural. The material was gold and enough for at least ten murals, I'm sure.
Our mural welcomes people to Whittier, a working-class neighborhood that embraces its heritage, celebrates its dynamic cultural and ethnic diversity, and looks forward to addressing and overcoming challenges to a prosperous and peaceful future. Our mural recognizes this as the past and present home to Native Americans from many tribes, as well as the place where settlers have come from across the globe. Our mural sings with a chorus of many languages and radiates with the colors of many cultures. And, our mural shows the neighborhood working together to care for its natural beauty, the education of its young people, and the welfare of its most vulnerable residents. Our mural is beautiful, engaging, and is the product of many dedicated hands and minds.